Sebastiaan van den Bergh started playing cello when he was 8 years old. At the time he lived in Milan with his parents and sister. Saverio Gliozzi, a Milanese cellist, was his first teacher. Once returned to the Netherlands, Sebastiaan continued his lessons with Rob Hageman, a cellist from the Rotterdam Philharmonic Orchestra, and later with Rosalie Seinstra at the Hellendaal Music Institute in Rotterdam.
“During my time in high school at the Wolfert van Borselen I started wondering about my future. Could I continue further with the cello? Along the path I had been following for the last couple of years? I had already been playing in youth orchestras and was starting to feel bound to the instrument with increasing closeness.”
Eventually Sebastiaan decided to audition for a conservatory and, even before he had completed his high school exams, had been accepted into the cello class of Jeroen den Herder at the Conservatorium van Amsterdam.
“These were four very intensive years, being a Bachelors’ student at the conservatory. The course completely changed the view I’d developed of playing the cello and of living the life of a cellist. I decided to take a year off after these four years to process and review all I had learned from my teacher and my colleagues.”
In 2014 Sebastiaan commenced his Masters’ studies at the Codarts Conservatory in Rotterdam, continuing his tuition under Jeroen den Herder. During his Masters’ he actively worked with different chamber music ensembles, one of which began as a clarinet-trio, and which grew into a quintet named the Marbel Ensemble. Before graduating Sebastiaan did research on the compositions of the French composer Jean-Louis Florentz. In 2016 he received his Masters’ diploma with distinction.
“The two years of my Masters’ weren’t only dedicated to cello playing. Especially important was the musical research I completed. Through this research, I managed to develop my playing and my views on music.”
Sebastiaan plays on a cello built by Annelies Steinhauer, which was completed in 1992 in Lijstervreugde, Hilversum. Annelies Steinhauer considers this cello to be her Opus 54.